The 20th Busan International Film Festival selected The Network for the Promotion of Asian Cinema (NETPAC) as the recipient of the Achievement Award to celebrate its 25th anniversary. Celebrating NETPAC’s contribution for 25 years, Busan International Film Festival invited the founder and president of NETPAC, Aruna Vasudev to receive the award during the Festival.
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News
On the closing night of the 11th Cinemalaya Independent Film Festival (Philippines) on Aug 15 2015, NETPAC was given a special award for its important contributions to Asian cinema in its 25 year history. The award was received by Netpac's Vice-President Philip Cheah and longtime Netpac member, Max Tessier (who now resides in the Philippines).
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Brillante Mendoza
Bangkok – A riveting film from the Philippines, “Foster Child” directed by Brilliante Mendoza, will be screened in Bangkok on Oct. 12 in a special film event to celebrate the 25th Anniversary of the Network for the Promotion of Asian Cinema (NETPAC).
NETPAC Team composed of Philip Cheah, Park Ki Yong and Herman Van Eyken would like to call for project submissions for the 2nd Asia Pacific Screen Lab aimed at emerging screenwriters, directors and producers from the Asia Pacific Region. The focus is on stories exploring an Asia Pacific identity, to be developed into feature length screen content, be it fiction, documentary or animation.
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Joining The Network for the Promotion of Asian Cinema (NETPAC) Busan International Short Film Festival (BISFF) becomes the first short film festival in the nation to join NETPAC, and second in the world following Bangladesh’s Dhaka International Short & Independent Film Festival. Comprised of 28 countries, 44 film festivals and about 150 members, NETPAC was founded in 1990, beginning with seminars regarding Asian Films in Cinemaya, a quarterly publication about Asian films. Aside from hosting
A social-realist drama-comedy film, it follows a seemingly usual day in the life of LOIDA MALABANAN (Vilma Santos) as she embarks on yet another shooting day of a soap opera as an extra. As the shoot goes on, we get a glimpse of the truth in the ruling system of the production as well as the exploitation on the marginal laborers like her.
The film begins and ends in an airport during a father and son’s transit flight from Tel Aviv to Manila. It tells the story of Moises, a Filipino single-dad working as a care giver in Herzliya, Israel, who comes home to his apartment in Tel Aviv to celebrate his son Joshua’s 4th birthday. It was on that day that Moises, together with their Filipino neighbors Janet, and her daughter Yael, find out that the Israeli government is going to deport children of foreign workers. Afraid of the new law, Moises and Janet decide to hide their children from the immigration police by making them stay inside the house.
The Kirishima Thing (Kirishima, Bukatsu Yamerutteyo)
(Japan / Japanese / 2013 / 103 mins / 35mm / Colour)
directed by Daihachi Yoshida (Japan)
Arrangements are being made by Asian Film Centre, Sri Lanka affiliated to NETPAC (Network for the Promotion of Asian Cinema) to conduct a Master Class Workshop on Documentary and Short Film Making in Colombo from 13 to 17 September 2013.
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A cradle for mother
(Iran / Farsi /2013 / 80 mins / Betacam SP / Colour)
directed by Panahbarkhoda Rezaee (Iran)
Congratulations Bong Joon Ho
Congratulations to Bong Joon-ho
The victory of Parasite by Bong Joon-ho, at the 92nd Academy Awards (aka the Oscars), is a clear sign of global change.
The history of cinema is being written on our eyes! For the first time, the most prestigious cinema awards were given to one film - the Palme d'Or at the 2019 Cannes Film festival, the Best Asian film at the Asia Pacific Screen Awards and the Oscars. For the first time, we see such unanimous acclaim of one film.
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